گانيميد يخطفه نسر
گانيميد يخطفه نسر (ح. 1531-1532) هي لوحة بريشة فنان النهضة المتأخرة الإيطالي أنطونيو دا كوريدجو. وتوجد في متحف تاريخ الفن، ڤيينا، النمسا.
| گانيميد يخطفه نسر Ganymede Abducted by the Eagle | |
|---|---|
 | |
| الفنان | أنطونيو دا كوريدجو |
| السنة | ح. 1531–1532 |
| الوسط | زيت على كانڤا |
| الأبعاد | 163.5 cm × 70.5 cm (64.4 in × 27.8 in) |
| الموقع | متحف تاريخ الفن |
العمل الفني كان جزءاً من سلسلة نفذها كورجيو لـفدريكو الثاني گونزاگا في مانتوا، عن غراميات جوپيتر. اللوحة تصوّر گانيميد.
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التاريخ
سلسلة غراميات جوپيتر خطرت على بال الرسام بعد نجاح Venus and Cupid with a Satyr. Correggio painted four canvasses in total, although others had been programmed perhaps.
In the first edition of his Lives, late Renaissance art biographer Giorgio Vasari mentions only two of the paintings, Leda (today at the Gemäldegalerie, Berlin) and one Venus (presumably the Danae currently in the Borghese Gallery of Rome), although he knew them only from descriptions provided by Giulio Romano. Vasari mentions that the commissioner, Duke Federico II Gonzaga, wanted to donate the works to emperor and King of Spain Charles V: the fact that the other two works, the Ganymede and Jupiter and Io, were in Spain during the 16th century implies that they were part of the same series. British art historian Cecil Gould suggested that Federico had commissioned the Io and Ganymede for himself, and that they were ceded to Charles V only after the duke's death in 1540, perhaps on occasion of the marriage of the king's son, Philip;[1] others hypothesized that Federico ordered them for the Ovid room in his Palazzo Te.[2]
In 1603–1604 the painting was acquired by the emperor Rudolf II together with Parmigianino's Cupid Making His Arch, and sent to Prague. The canvas was in Vienna since as early as the 1610s, when it is talked in the Habsburg imperial collections together with Io.[1]
التاريخ
سلسلة غراميات جوپيتر جاءت فكرتها بعد نجاح ڤينوس وكيوپيد وساتير. وقد رسم كوريدجو أربع لوحات، إجمالاً، بالرغم من أنه ربما قد خطط لرسم المزيد.
الهامش
- ^ أ ب Gould, Cecil (1976). The paintings of Correggio. London. pp. 130–31.
{{cite book}}: CS1 maint: location missing publisher (link) - ^ Verheyen, Egon (1966). "Correggio's Amori di Giove". Journal of the Warburg and Courtauld Institutes. XXIX: 160–192. doi:10.2307/750714. JSTOR 750714. S2CID 190001612.
المصادر
- Adani, Giuseppe (2007). Correggio pittore universale. Correggio: Silvana Editoriale. ISBN 978-88-366-0977-2.
وصلات خارجية
- Page at museum's website (بالألمانية)