الملف الأصلي (1٬000 × 1٬292 بكسل حجم الملف: 171 كيلوبايت، نوع MIME: image/jpeg)
اضغط على زمن/تاريخ لرؤية الملف كما بدا في هذا الزمن.
| زمن/تاريخ | صورة مصغرة | الأبعاد | مستخدم | تعليق | |
|---|---|---|---|---|---|
| حالي | 00:23، 20 مايو 2020 | | 1٬000 × 1٬292 (171 كيلوبايت) | Taghreed (نقاش | مساهمات) |
لا يمكنك استبدال هذا الملف.
الصفحات التالية تحتوي على وصلة لهذه الصورة:
هذا الملف يحتوي معلومات إضافية، غالبا ما تكون أضيفت من قبل آلة التصوير الإلكترونية أو الماسح الضوئي المستخدم في تحميل الصورة إلى الحاسوب. إذا كان الملف قد عُدّل عما كان عليه عند تحميل الصورة فإن المعلومات الواردة هنا قد لا تعبر عن هذه الصورة المعدلة.
| تعليق ملف JPEG | COURBET, Gustave
(b. 1819, Ornans, d. 1877, La Tour-de-Peilz) Self-Portrait at Sainte-Pélagie c. 1872 Oil on canvas, 92 x 72 cm Musée Courbet, Ornans Courbet's commitment to politics led to a period of imprisonment. He immortalized this part of his life in Self-Portrait at Sainte-Pélagie. Immediately after his arrest in June 1871, he was accused of having taken part in the Paris Commune, the last of the nineteenth-century revolutions in France. During his trial, Courbet was accused of having taken part in the destruction of the colonne Vendôme, which had been erected by Napoleon I to commemorate the victories of the Grande Armée. Found guilty in 1871, Courbet found himself worse off again after his appeal in 1874. In Self-Portrait at Sainte-Pélagie, Courbet presents himself in the cell of his Paris prison, seated on a table, near a half-open window somewhat obstructed by the solid prison bars. He is simply dressed, wearing a chestnut suit and a beret, his red neck-scarf the only note of colour in this dark-toned painting. His pipe is, as always, in his mouth and his mainly impassive stare is directed, with perhaps a touch of nostalgia, toward the prison yard.
Author: COURBET, Gustave Title: Self-Portrait at Sainte-Pélagie Time-line: 1851-1900 School: French Form: painting Type: portrait |
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